Kurdish goddess of fertility,, love, war and sex: ÎSHTAR

Ancient Kurdish Religion and mythology

In ancient Kurdish Religion, Tiamat is a chaos monster, a primordial goddess of the ocean, mating with Abzû (the god of fresh water) to produce younger gods. It is suggested that there are two parts to the Tiamat mythos, the first in which Tiamat is 'creatrix', through a "Sacred marriage" between salt and fresh water, peacefully creating the cosmos through successive generations. In the second "Chaoskampf" Tiamat is considered the monstrous embodiment of primordial chaos. Although there are no early precedents for it, some sources identify her with images of a sea serpent or dragon.In the Enûma Elish, the Babylonian epic of creation, she gives birth to the first generation of deities; her husband, Apsu, later makes war upon them and is killed. When she, too, wars upon her husband's murderers, she is then slain by Ea's son, the storm-god Marduk. The heavens and the earth are formed from her divided body.

Tiamat was later known as Thalattē (as a variant of thalassa, the Greek word for "sea") in the Hellenistic Babylonian Berossus' first volume of universal history. It is thought that the name of Tiamat was dropped in secondary translations of the original religious texts (written in the East Semitic Akkadian language) because some Akkadian copyists of Enûma Elish substituted the ordinary word for "sea" for Tiamat, since the two names had become essentially the same due to association.

 Tiamat is a goddess in the Kurdish mythology. It embodies the salt water and forms the counterpart to her husband Abzu, the freshwater. Illustration of a horned snake on a Babylonian cylinder seal.

´The children of Kobane -Kurdistan

Ancient Kurdish sun god Mithra / Shamash

    

Four Gods Greet the Rising Sun God

                    Four Gods Greet the Rising Sun God

Rising from the mountain in the center is the Kurdish sun god Utu/Shamash, greeted by three other great gods. From left to right, they are: the Kurdish storm god Ninurta; the goddess of love and war, Kurdish Inanna/Ishtar; and the god of water and wisdom, Enki/Ea. To Enki's right is his vizier, the two-faced Usmu. (When the gods are given a pair of names linked with a slash, like "Utu/Shamash", the first is the Sumerian name, the second the Babylonian name. As high gods, they all wear conical hats crowned with four pairs of bull's horns. But they are easily identified by the special signs and powers that spring from their shoulders.

In the exact center, with his sun held overhead, and flames rising from his shoulders, is the Kurdish sun god Utu/Shamash. He also holds up a saw-toothed knife, or pruning saw, which some say he uses to cut his way out of the mountain; but most say the pruning saw symbolizes his role as a judge of gods and men who "de-cides" each case by "cutting off" the bad from the good. It is dawn, and he rises from Kur (Kurds), the cosmic mountain (indicated by the usual mountain pattern of overlapping scallops). Kur (Kurds) is also the name of the Underworld, which has two entrances: one in the west, where the sun god descends each night, and one in the east, where he rises at dawn.

Directly above Utu/Shamash, and giving him a hand up by touching or tugging on his rising sun, is his sister, Inanna/Ishtar, the Queen of Heaven and Earth. From her shoulders stretch widespread wings, showing she rules the sky. From behind her shoulders bristle six weapons (spears and maces) that show she is a war goddess, a mistress of battles. She is also a goddess of love, a fertility goddess. So beside her there's a sacred tree, the Tree of Life, which sprouts from the Mountain of the Underworld.

On the other side of Utu/Shamash is Enki/Ea, the god of wisdom and "sweet water" - the fresh water without which nothing can live, and which is opposed to the cosmic ocean of "bitter" salt water that surounds the earth, and even the heavens, on all sides, top and bottom. (It is probably this "sweet" water that is the Water of Life which Enki sends along with the Food of Life to revive Inanna's corpse in the Underworld.) Enki is identified by two streams of fresh water (the Tigris and Euphrates rivers) that spring from his shoulders, and which are filled with fish. (In other pictures, the two streams may flow from jars or vases that he holds.) With one hand Enki holds the thunderbird [the now-tamed Imdugud/Zu?], while at his feet kneels a horned animal, a water buffalo or a bull, a symbol of life. Behind Enki is his minister or vizier, the Janus-faced Usmu, who is himself a voice of wisdom as he faces both forwards and backwards, towards the future and the past.
 On the left side of the scene is the bearded storm god Ninurta with his bow and arrows. Beside him is a lion, a symbol of death. On other seals, such as the one at right, Ninurta's lion appears winged and breathing flames as the god rides him into battle against various Underworld demons and monsters - here defeating the treacherous fire-breathing lion-headed bird Zu.

Above Ninurta's lion is a block of cuneiform writing with the Akkadian name "Adda," which also means "scribe." This shows the cylinder seal was custom-made for the official who owned and used it to sign and seal important documents and letters. These were clay tablets, of course, but larger than the modern strip of clay on which Adda's stone cylinder was rolled to create the image before us. Its printout was "over-rolled," which is why the lion-plus-signature image reappears on the right, just beyond two-faced Usmu, but now facing the "wrong way," off-stage to the right.